Facebook Pixel

AUDIO-TECHNICA ATM250 Dynamic Instrument Microphone

AUDIO-TECHNICA ATM250 Dynamic Instrument Microphone

SENNHEISER E914 Polarized Condenser Microphone For Overhead

SENNHEISER E914 Polarized Condenser Microphone For Overhead

NEUMANN KMS 104 Handheld Vocal Condenser Microphone (black)

$969.00
Special Order
SKU
133451
  • Catalog #: 008549
  • BLACK


Please click CHECK IN-STORE button below for store pickup availability.
This product is currently not ready to ship. You can still special order this item and we will contact you with an expected delivery date.





Attention! Store stock availability may not be up to date and may be “open box” inventory.      

  1. Phone your preferred store Store to confirm availability and condition.      
  2. Contact your preferred store Store to confirm availability and condition.      


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
Phone Store 604-685-8471
  Contact Store Out Of Stock

Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
Phone Store 604-941-8447
  Contact Store Out Of Stock

Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
Phone Store 604-532-8303
  Contact Store Out Of Stock

Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
Phone store 604-273-6661
  Contact Store Out Of Stock

Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
Phone Store 250-383-5222
  Contact Store Out Of Stock

TEST

NEUMANN SOUND ON STAGE

The KMS 104 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.

STUDIO QUALITY FOR STAGE VOCALS

The KMS 104 brings studio sound quality to the stage. Unlike usual stage microphones, which use dynamic capsules, the KMS 104 is equipped with a true condenser microphone capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KMS 104 possesses the ruggedness required of a stage mic, thus refuting the myth that condenser microphones must be “fragile”. The KMS 104 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KMS 104 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KMS 104 has a vastly superior transient response resulting in a more immediate and more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance.

As a stage microphone, the KMS 104 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. The head amplifier is protected by a thick-walled housing. Its transformerless output minimizes electromagnetic interference, such as hum. Because of its low output impedance of only 50 ohms, the KMS 104 can drive very long cable runs of up to 300 m (1000 ft) without transmission losses.

APPLICATIONS

The KMS 104 is primarily designed as a handheld vocal microphone but can be used for other stage applications as well, due to its high SPL capability and wide dynamic range. Examples include percussion, saxophone, trumpet, trombone, harmonica, acoustic guitar, and guitar cabinets. Thanks to its superior sound quality, the KMS 104 is also an excellent microphone for home recording and broadcast applications. Because it is optimized for close mic placement, the KMS 104 will pick up a dry sound with very little ambience, which is a big advantage in untreated rooms.

  • Tight cardioid pattern without off-axis coloration
  • Unaffected by extreme sound pressure levels
  • Rugged construction
  • Feedback resistant, high rejection of rearward sound (180°)
  • Built-in pop screen 
  • Very low handling noise

SPECIFICATIONS

Acoustical operating principle Pressure gradient transducer
Directional Pattern Cardioid
Frequency Range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 4.5 mV/Pa ± 1 dB equ. -47 dBV
Rated Impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR 1 28 dB
Equivalent noise level, A-weighted 2 18 dB-A
Maximum SPL for THD 0.5% 3 150 dB
Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 66 dB
Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 76 dB
Maximum output voltage 12 dBu
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 3.5 mA
Matching connector XLR 3 F
Weight approx. 300 g
Diameter 48 mm
Length 180 mm

Write Your Own Review
Only registered users can write reviews. Please Sign in or create an account