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GROOVE MASTERS PERC CABASA Large 5

GROOVE MASTERS PERC CABASA Large 5" X 7.5"

ZILDJIAN 18

ZILDJIAN 18" K Constantinople Orchestral Suspended Cymbal

YAMAHA SIGNATURE Series Keiko Abe Marimba Mallets (pair) - Green Band (yarn Wound)

$64.99
In Stock
SKU
194715
  • Catalog #: MKA06
  • RATTAN SHAFT
  • MEDIUM SOFT






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Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
Phone Store 604-685-8471
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2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
Phone Store 604-941-8447
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Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
Phone Store 604-532-8303
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Richmond Store
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Richmond, BC, V6X 2B9
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MKA06

YAMAHA MALLET

MKA06

SKU: V890960

UPC: 4960693189337

 

Shaft

Shafts are 1-1/8” (3cm) longer than other Yamaha mallets*, which allows the mallets to exceed the demands required in contemporary music. Two types of shaft materials are available, rattan (MKA) and birch (MKAW), for compatibility with a wide variety of playing styles. * Except the MKA(W)-02 and MKA(W)-01.

Head

The round yarn wound heads are heavier than standard mallets, but they are fully capable of delivering delicate expression. Also, to obtain optimum flexibility from the shaft, careful consideration has been taken in achieving optimum balance between weight and shaft thickness when materials to be used in each mallet model were chosen.

[MKA(W)-01] With the MKA(W)-01 two-tone mallet, differences in touch are clearly apparent in the tone.

[MKA(W)-02/03] MKA(W)-02 and MKA(W)-03 utilize short shafts for fast, intricate mallet work. Hard to tell by looking, but the added weight in the mallet heads offers the percussionist greater possibilities in playing.

[MKA(W)-04/05/06/07/S7] The MKA(W)-04 through S7 are based on Yamaha’s Professional series with a rubber tube wrapped around its core. This design offers a slightly different touch that delivers greater expressiveness with enhanced sensitivity.

[MKA(W)-08/09] The MKA(W)-08 and 09 are designed to deliver greater tone from large rosewood tone bars at the bass end of the marimba.

Keiko Abe Profile

Appearing regularly in performances around the world, Keiko Abe continuously astonishes audiences with her rare combination of creative power, acute sensitivity and virtuoso technique. It is these qualities that have made her a leading force in the development of the marimba as a consummate concert instrument. Her command of an overwhelming repertoire allows her performances to range from solo concerts to chamber music and improvisations. While her compositions have become standards of marimba literature many composers have dedicated new works to her and she has inspired and premiered countless new compositions.

In addition to her work as Professor Emeritus of Music at Toho Gakuen School of Music in Tokyo, Japan, she is in demand as a guest lecturer and has presented master classes in more than 100 of the leading music conservatories in North America, Europe and Asia. She has also released over 50 recordings and received numerous awards, including becoming the first woman elected to the Percussive Arts Society Hall of Fame in 1993.

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