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ALEXANDER SUPERIAL DC - Double Cut Alto Saxophone Reeds #3 - Individual, Single Reeds

ALEXANDER SUPERIAL DC - Double Cut Alto Saxophone Reeds #3 - Individual, Single Reeds

ALEXANDER SUPERIAL DC - Double Cut Tenor Saxophone Reeds #2 - Individual, Single Reeds

ALEXANDER SUPERIAL DC - Double Cut Tenor Saxophone Reeds #2 - Individual, Single Reeds

ALEXANDER SUPERIAL DC - Double Cut Alto Saxophone Reeds #3.5 - Individual, Single Reeds

$5.99
In Stock
SKU
171016
  • Catalog #: D5A35
  • SINGLE PRICING
  • 5 REEDS/BOX






Attention! Store stock availability may not be up to date and may be “open box” inventory.      

  1. Phone your preferred store Store to confirm availability and condition.      
  2. Contact your preferred store Store to confirm availability and condition.      


Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
Phone Store 604-685-8471
  Contact Store Low Quantity

Coquitlam Store
2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
Phone Store 604-941-8447
  Contact Store Out Of Stock

Langley Store
19638 Fraser Highway
Langley, BC, V3A 4C5
Phone Store 604-532-8303
  Contact Store In Stock        

Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
Phone store 604-273-6661
  Contact Store In Stock        

Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
Phone Store 250-383-5222
  Contact Store In Stock        

ALEXANDER SUPERIAL DC - Double Cut Alto Saxophone Reeds #3.5 - Individual, Single Reeds is available to buy in increments of 5


After introducing Superial, I wanted to addanother model to our line which I thought might meet the needs of players who were looking for a different style cut and tonal response.
Using the same cane, we made exhaustive tests and alterations to fabricate a reed with somewhat changed response characteristics from the original Superial, and thus the new Superial "DC" (or "Double Cut) was created.

This reed has a slightly harder tip and more wood in the heart and sides than Superial and therefore produces a more solid tonal core, enhanced projection and power, and a little darker harmonic timbre than Superial, but still one with the kind of "edge" and authority needed in soloing or lead work.

For "DC" I was thinking in terms of a tonal concept reminiscent of the saxophonists I had admired and been influenced by from the 1950's to the "Blue Note", "Miles" and "Trane", and "Wayne" eras.

I also had in mind a reed of increased power that would be particularly suitable for big band, stage band or marching reed players, as well. So in a sense, I worked on "DC" with an idea of making a reed that fit closest to the tonal palate of my own musical influences and this became the reed I used on Tenor most of the time.

Since its introduction in 1995, "DC" seems to be especially favored by professionals who need a lot of power and want to push the reed to the limits of its dynamic capabilities, while still retaining an even balance from top to bottom.

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